VOZES FEMININAS NA POÉTICA DE JUSSARA SALAZAR

Abstract

This dissertation makes a critical analysis of the poetic work of Jussara Salazar, a contemporary writer with a vast publication. The poet explores in her texts the presence of female voices that represent the real problems experienced by women in society. The research was carried out through bibliographic review and critical analytical analysis of the author's accessible poetic works, under qualitative bias, based on the theoretical references of Beauvoir (1970), Duarte (2003) and Hollanda (1994), on feminism; Zolin (2009, 2019), Teixeira (2008, 2009) and Gomes (2011) about female authorship; Ricouer (2007) and Halbwachs (2004), regarding the concepts of memory; Echo (2005), with regard to reading; Candido (2006), regarding the social perspective of literature; in addition to the studies of Paz (1982) and Bosi (1977) on the aesthetic dimension of poetry, among others. The objectives of this work are: to reflect on the role of female authorship writing in the current production context; to identify thematic recurrences and female voices in Salazar's poetics; and contribute to the construction of the writer's critical fortune. The results indicate that to build her poetic work the author uses memory and brings new meanings to the events that figured her experience and populate the female reality in general. It is concluded that, through an intertextual dialogue that reveals the literary imaginary, the poet highlights voices of women who resisted patriarchal customs and poetizes her writing in order to enable the reader to rethink the history traveled by women to the present day. The choice of this object of study is justified by addressing the writing of female authorship and by the contribution to the visibility of the writer Jussara Salazar in the history of contemporary literature.